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Brazil Fair Institute
No Japão feudal do século XIX, a camponesa Ayumi luta para proteger Ren, o seu grande amor, perseguido por um tirano corrupto, após seu pai, então chefe da aldeia, tê-lo denunciado por cobrança abusiva de impostos na vila. Eles driblam a morte, unem toda uma aldeia, lutam contra samurais e ainda enfrentam o frio e os saqueadores, na perigosa travessia rumo ao Monastério dos Soheis (monges guerreiros), onde buscam refúgio e treinamento para obterem justiça.
Um século depois, Ayumi é Ana, uma recém-formada engenheira florestal, descendente de abastadas gerações de pecuaristas de Valença, Rio de Janeiro, que viaja para a Amazônia para implantar nas terras de sua família uma inovadora técnica agrícola que recuperou as paisagens gastas pela pecuária na sua cidade natal. Ao chegar em Paragominas ela é surpreendida com a descoberta da extração ilegal de madeira da sua fazenda. Ao investigar o crime ambiental Ana reencontra Ren, que nesta vida é Antônio, um advogado astuto e influente. Ele lhe ajuda a investigar e punir os culpados, enquanto seus sentimentos crescentes evidenciam que há um mistério ainda maior entre os dois.
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TOM




Where Ideas Connect and Projects Come to Life.
Coalition Point brings together Literature, cultural and audiovisual production, technology, the nonprofit sector, and psychoanalysis, expanding opportunities and turning ideas into impactful projects. One example is Felicidade é Amar (Happiness Is to Love), which began as a social initiative to encourage the adoption of older children and teenagers and evolved into a feature film. More than a portfolio, Coalition Point is a space for creativity, collaboration, and opportunity, where knowledge, sensitivity, and experience turn ideas into reality.

About Branca Duboc Pedrinha
I was born in Rio de Janeiro, Brazil, in 1975. I hold degrees in Business Administration from Fluminense Federal University (UFF) and Journalism from FACHA.
I have been working as an SAP MM specialist for approximately 25 years and as an IT Project Manager for the past seven years. I am grateful for the career that provides my livelihood.
Alongside my professional work, I continue to pursue my dreams, developing and implementing projects in the nonprofit sector, as well as creating works for theater, television, cinema, and literature.
I am also a student and member of IBRAPSI – the Brazilian Institute of Psychoanalysis, where I am pursuing the three pillars of psychoanalytic training: theoretical study, personal analysis, and clinical supervision.






In 2012, I founded Instituto Brasil Justo (IBJ), a nonprofit organization dedicated to social and environmental initiatives. My work in the Brazilian Amazon strengthened my ties with traditional communities and led to projects selected for funding and sponsorship by Petrobras, the Brazilian Federal Government, Fundação Banco do Brasil, BNDES, and the Amazon Fund between 2013 and 2017.





IBJ - Instituto Brasil Justo



Episódio Piloto

For over ten years, I have been writing—finding in it relief, refuge, a sense of fulfillment, a mission, and a life purpose. I create content for diverse audiences across various formats. By 2026, I have a diverse portfolio including ten original works—completed and adapted into stage plays, feature films, fiction series, animated works, and literary publications. Some of them with writing partners: Paulo (my son) and Flávio (my man), specifically to the books.





Episódio Piloto






In 2019, she founded Duboc Teatro & Filmes, a company dedicated to the creation and production of theater and audiovisual content. In 2021, she competed internationally with the series project "Entre Vidas," which won awards at festivals in the United States, Canada, and England. By 2026, her diverse portfolio included ten original works—completed and adapted for stage plays, feature films, fiction series, animation, and literature. A notable highlight is "Felicidade é Amar" (Happiness Is Loving); the project won a public grant and was filmed that same year.



